{"id":51511,"date":"2023-06-17T13:23:32","date_gmt":"2023-06-17T11:23:32","guid":{"rendered":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/?p=51511"},"modified":"2023-06-17T20:47:05","modified_gmt":"2023-06-17T18:47:05","slug":"breakpoint-raticide-and-liturgy-of-anti-tank-obstacles-are-the-winning-short-films-of-the-51st-huesca-international-film-festival","status":"publish","type":"post","link":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/breakpoint-raticide-and-liturgy-of-anti-tank-obstacles-are-the-winning-short-films-of-the-51st-huesca-international-film-festival\/","title":{"rendered":"BREAKPOINT, RATICIDE, AND LITURGY OF ANTI-TANK OBSTACLES ARE THE WINNING SHORT FILMS OF THE 51ST HUESCA INTERNATIONAL FILM FESTIVAL"},"content":{"rendered":"

FRENCH FILMMAKER NICOLAS PANAY, PORTUGUESE FILMMAKER JO\u00c3O NIZA RIBEIRO, AND UKRAINIAN FILMMAKER DMYTRO SUKHOLYTKYY-SOBCHUK RECEIVE THE INTERNATIONAL, IBERO-AMERICAN, AND DOCUMENTARY DANZANTE AWARDS, RESPECTIVELY, ALONG WITH 5,000 EUROS AND PRESELECTION FOR THE OSCAR AWARDS.<\/strong><\/p>\n

THE AUDIENCE AWARD GOES TO<\/strong> ROPED<\/em><\/strong> BY CARMEN C\u00d3RDOBA <\/strong><\/p>\n

THE BEST DEBUT FILMS WINNERS ARE THE SPANISH FILM SMELLS <\/em>AND THE CO-PRODUCTION FROM ARMENIA, FRANCE, AND BELGIUM IT TAKES A VILLAGE.<\/em><\/strong><\/p>\n

\"Momento

Momento de la rueda de prensa con reprentantes de los jurados y Estela Rasal, directora del festival<\/p><\/div>\n

The French short film Breakpoint<\/em> by Nicolas Panay, the Portuguese film Raticide<\/em> by Jo\u00e3o Niza Ribeiro, and the co-production of the United States and Ukraine Liturgy of Anti-tank Obstacles<\/em> by Dmytro Sukholytkyy-Sobchuk have won the Danzante Awards in the international, Ibero-American, and documentary competitions, respectively. The 51st Huesca International Film Festival awards these three works with a cash prize of 5,000 euros and direct preselection for the Oscars, as the festival in Huesca is one of the six in Spain that qualify directly for these awards.<\/p>\n

The jury of the International Competition of the Huesca International Film Festival has granted the Danzante Award to Breakpoint<\/em> by Nicolas Panay for its brilliant cinematography and rhythm on a current topic, fantastically conveying the struggle of workers for their jobs and highlighting the problems of living in a capitalist system. The short film is a striking piece of cinema where personal issues become political matters and vice versa.<\/p>\n

The Animation \u201cJinete Ib\u00e9rico\u201d prize (granted by the Instituto de Estudios Altoaragoneses) goes to the short film Fox Tossing<\/em> directed by Z\u00e9n\u00f3 Mira from Hungary, for its impactful storytelling that leaves an unforgettable impression from the first minute. Its unique visual style starkly and directly portrays the grotesque relationship between humans and nature, shedding light on the abuse of power and disdain of men towards the natural world.<\/p>\n

The ‘Francisco Garc\u00eda de Paso’ Human Values Mention goes to the German film Granica,<\/em> directed by Joshua Neubert. Through its unfiltered narrative, this short film confronts us with the difficult situations many people face in their daily lives. It fearlessly exposes injustices, inequalities, and human suffering without seeking to sugarcoat or conceal the uncomfortable truths that society often prefers to ignore.<\/p>\n

Finnish programmer Annu Suvanto, Spanish actress of Argentine origin Mar\u00eda Botto, and Andalusian director Juan Jes\u00fas Garc\u00eda Galocha, all members of the international jury, have also awarded a Special Mention to the UK-Afghanistan co-production Yellow<\/em> by Elham Ehsas. They commend this film for its brilliant and poetic depiction, capturing our attention to the current plight of women in Afghanistan, as stated in the official record.<\/p>\n

PORTUGAL AND ARGENTINA STAND OUT IN THE IBERO-AMERICAN COMPETITION<\/p>\n

Meanwhile, the jury of the Ibero-American Competition awards the Danzante Prize to the Portuguese short film Raticide<\/em> by Joao Niza Ribeiro for its outstanding cinematographic quality and its. well-coordinated staging that skillfully combines compositions, editing, and compelling performances. The film presents a captivating portrait of a marginalized world, seamlessly integrating the current socio-political context of the migrant issue in Europe in an organic and necessary manner.<\/p>\n

The Ibero-American Danzante ‘Cacho Pallero’ honors a story that addresses the crucial theme of workplace abuse and gender-based violence. Victoria<\/em> by Agustina Gatto from Argentina takes the audience on a journey through \u201ca seemingly straightforward narrative, brought to life by outstanding performances from an actress and an actor who flawlessly convey the nuances of a well-crafted script.\u201d, as stated by Spanish actor Juanjo Artero, Argentine Ariel Direse, and Spanish filmmaker and screenwriter Claudia Costafreda.<\/p>\n

Furthermore, the jury has decided to grant Special Mentions to the short films Roped <\/em>(Spain) by Carmen C\u00f3rdoba and The Eyes of Do\u00f1a Lucy<\/em> by Carlos Hinojosa and Gerardo Romero.<\/p>\n

The Huesca International Film Festival list of recognitions also includes an Audience Award and a Best Screenplay Award. The Audience Award, sponsored by Arag\u00f3n TV, has also been awarded to Roped<\/em> by Carmen C\u00f3rdoba, while the Best Screenplay Award goes to the Spanish film Emotional Architecture <\/em>1959 by Le\u00f3n Siminiani for its originality, its skillful blend of fiction and documentary, and the poetic approach achieved through unconventional storytelling techniques.<\/p>\n

A US-UKRAINE CO-PRODUCTION WINS THE BEST DOCUMENTARY AWARD.<\/p>\n

The third category in competition, dedicated to Documentary films, has awarded the co-production of the United States and Ukraine, Liturgy of Anti-tank Obstacles<\/em> by Dmytro Sukholytkyy-Sobchuk. \u00a0Spanish programmer Rub\u00e9n Corral, Swiss Agnese L\u00e0posi, and Spanish filmmaker Teresa Lavina claim that the film stands out for its powerful and elegant narrative that delves into the transformation of various materials into symbols of both war and peace. It explores the resilience and endeavors of individuals caught in the throes of conflict.<\/p>\n

Meanwhile the Ibero-American Documentary Danzante ‘Jos\u00e9 Manuel Porquet’ goes to the short film Smells <\/em>by Alba Esquinas for its poetic use of the senses as a vehicle to evoke cherished childhood memories across different generations.<\/p>\n

SMELLS <\/em>AND IT TAKES A VILLAGE\u2026<\/em> , BEST DEBUT FILMS<\/p>\n

The 51st edition’s lineup is completed by the debut films, an feature that is always carefully considered in the Huesca festival. These films, chosen by the young jury, include the Spanish film Smells<\/em> by Alba Esquinas, which explores the quest for origins through an unconventional format that captures the essence of cinema. They also awarded It Takes a Village<\/em> a co-production of Armenia, France, and Belgium, directed by Ophelia Harutyunyan, for its immersive storytelling that unveils hidden truths through absences. The young jury has given a special mention to the UK short film Left Behind<\/em> by Matteo Crescenzy.<\/p>\n","protected":false},"excerpt":{"rendered":"

FRENCH FILMMAKER NICOLAS PANAY, PORTUGUESE FILMMAKER JO\u00c3O NIZA RIBEIRO, AND UKRAINIAN FILMMAKER DMYTRO SUKHOLYTKYY-SOBCHUK RECEIVE THE INTERNATIONAL, IBERO-AMERICAN, AND DOCUMENTARY DANZANTE AWARDS, RESPECTIVELY, ALONG WITH 5,000 EUROS AND PRESELECTION FOR THE OSCAR AWARDS. THE AUDIENCE AWARD GOES TO ROPED BY CARMEN C\u00d3RDOBA THE BEST DEBUT FILMS WINNERS ARE THE SPANISH FILM SMELLS AND THE CO-PRODUCTION…<\/p>\n","protected":false},"author":5,"featured_media":51501,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[1979,1768,1627,2004,1856],"yoast_head":"\nBREAKPOINT, RATICIDE, AND LITURGY OF ANTI-TANK OBSTACLES ARE THE WINNING SHORT FILMS OF THE 51ST HUESCA INTERNATIONAL FILM FESTIVAL | Festival Internacional de Cine de Huesca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/breakpoint-raticide-and-liturgy-of-anti-tank-obstacles-are-the-winning-short-films-of-the-51st-huesca-international-film-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BREAKPOINT, RATICIDE, AND LITURGY OF ANTI-TANK OBSTACLES ARE THE WINNING SHORT FILMS OF THE 51ST HUESCA INTERNATIONAL FILM FESTIVAL | Festival Internacional de Cine de Huesca\" \/>\n<meta property=\"og:description\" content=\"FRENCH FILMMAKER NICOLAS PANAY, PORTUGUESE FILMMAKER JO\u00c3O NIZA RIBEIRO, AND UKRAINIAN FILMMAKER DMYTRO SUKHOLYTKYY-SOBCHUK RECEIVE THE INTERNATIONAL, IBERO-AMERICAN, AND DOCUMENTARY DANZANTE AWARDS, RESPECTIVELY, ALONG WITH 5,000 EUROS AND PRESELECTION FOR THE OSCAR AWARDS. 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