{"id":52223,"date":"2024-05-30T11:12:34","date_gmt":"2024-05-30T09:12:34","guid":{"rendered":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/?post_type=mec-events&p=52223"},"modified":"2024-05-30T19:22:10","modified_gmt":"2024-05-30T17:22:10","slug":"escuelas-francesas","status":"publish","type":"mec-events","link":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/events\/escuelas-francesas\/","title":{"rendered":"FRENCH SCHOOLS: LA F\u00c9MIS AND ENSAV"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]La F\u00e9mis, also known as the National Film School of Image and Sound, is a world-renowned French public higher education institution. Established in 1986, the school offers comprehensive technical and artistic training to prepare professionals for careers in the audiovisual and film industry.<\/p>\n

The \u00c9cole Nationale Sup\u00e9rieure de l’Audiovisuel (ENSAV) is a French public institution founded in 1978 and located in Toulouse. It provides technical and artistic training in various cinematographic professions. The ENSAV is one of the four public film schools in France, along with the \u00c9cole Nationale Sup\u00e9rieure Louis-Lumi\u00e8re and La F\u00e9mis in Paris, and the \u00c9cole Nationale Sup\u00e9rieure de Cin\u00e9ma Cin\u00e9fabrique in Lyon.[\/vc_column_text][vc_separator color=”black” border_width=”2″][\/vc_column][\/vc_row][vc_row type=”vc_default” anchor=”zero” el_id=”pema”][vc_column][vc_custom_heading text=”PEMA” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”52159″ img_size=”full”][vc_column_text]<\/p>\n

PEMA<\/strong>
\nFrance. 2022. 19\u2019. Fiction<\/h6>\n

Direcci\u00f3n: Victoria Neto. Guion: Victoria Neto, Ana\u00efs Lonkeu, H\u00e9lo\u00efse Fressoz. Producci\u00f3n: La F\u00e9mis, Ana\u00efs Lonkeu, L\u00e9na Bapt. Edici\u00f3n: Isabelle Bassaglia. Fotograf\u00eda: Plume Fabre. M\u00fasica original: Cl\u00e9mence Le Gall.Sonido: Colin Prum. Reparto: Lorena Masikini, Pauline Mbaku, Pol White, Cindy Wadia, Dor\u00e9a Da Rozalia.<\/p>\n

Murphy, a young black girl of Congolese descent, suffers from depression. Although she is 20 years old, she cannot gather the strength to face her mother and to confess her angst.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52163″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

Victoria Neto<\/b><\/strong><\/h5>\n

A 27-year-old director, screenwriter and photographer, Victoria began her career in as an actress then directed and self-produced in 2017 her first short film. Since 2019, she has been developing her screenplay Zolla,<\/i> within Ciclic’s writing residency. In 2022, Victoria graduated from the residency at La F\u00e9mis, a program where she directed Pema<\/i>.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black” border_width=”2″][\/vc_column][\/vc_row][vc_row type=”vc_default” anchor=”zero” el_id=”king”][vc_column][vc_custom_heading text=”THE KING” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”52165″ img_size=”full”][vc_column_text]<\/p>\n

THE KING<\/strong>
\nFrance. 2021. 20\u2019. Fiction<\/h6>\n

Direcci\u00f3n: Mar\u00eda Claudia Blanco. Guion: Mar\u00eda Claudia Blanco, Emanuelle Moreau. Producci\u00f3n: La FEMIS, Sofia Barandiaran. Edici\u00f3n: Helio Pu. Arte: Anouk Gili, Aliz\u00e9e Le Vot. Fotograf\u00eda: Alexandre Vigier. M\u00fasica original: Diego Ayala. Sonido: Yannis do Couto. Reparto: Yun Ping He, Yilin Yang, Violine Ma, Christophe Teki, Tiene Shue, Lucie Teng, Otto Kaltmaier.<\/p>\n

Li, an illegal immigrant in Paris, works as a professional queue maker. He suffers in silence and does everything so that his daughter does not follow the same path of submission as him.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52167″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

Maria Claudia Blanco<\/b><\/strong><\/h5>\n

Maria Claudia grew up in Colombia before leaving for France to pursue her passion for cinema. After studying editing and image, then shooting on Colombian and French sets, she joined the Directing department of the F\u00e9mis in 2018 where she graduated from in 2022. She rhymes Paris with Bogota, innocence with maturity and energy with mildness.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black” border_width=”2″][\/vc_column][\/vc_row][vc_row type=”vc_default” anchor=”zero” el_id=”blackout”][vc_column][vc_custom_heading text=”BLACKOUT” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”52169″ img_size=”full”][vc_column_text]<\/p>\n

BLACKOUT<\/strong>
\nFrance. 2022. 9\u2019. Fiction<\/h6>\n

Direcci\u00f3n: Iv\u00e1n Orizaga. Guion: Iv\u00e1n Orizaga. Producci\u00f3n: Ensav. Edici\u00f3n: Iv\u00e1n Orizaga. Arte: Julie Broucas. Fotograf\u00eda: Camilo Idarraga, Agustina Ariosa. M\u00fasica original: Daniel Espinosa. Sonido: C\u00e9sar Noguera. Reparto: Hazem Hammad, Philippe Hedoux.<\/p>\n

Charles spends his life in front of the computer, but an unexpected power outage forces him out of his virtual world.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52171″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

Iv\u00e1n Orizaga<\/b><\/strong><\/h5>\n

With a Bachelor’s degree in Communication Sciences (UNAM) and a specialization in Cinematography (AMCI), he has collaborated in the fields of television, film, and audiovisual production. His experience includes work with channels such as TV UNAM and Cadena 3, as well as independent production companies. His filmography as a director includes the short films La bella normalidad<\/i> (2021) and Blackout<\/i> (2023).[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black” border_width=”2″][\/vc_column][\/vc_row][vc_row type=”vc_default” anchor=”zero” el_id=”tatuana”][vc_column][vc_custom_heading text=”LA TATUANA” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”52173″ img_size=”full”][vc_column_text]<\/p>\n

LA TATUANA<\/strong>
\nFrance. 2016. 12\u2019. Animation<\/h6>\n

Direcci\u00f3n: Gabriel Gonzalez Guirola. Producci\u00f3n: Ensav. Edici\u00f3n: Manuel Brassart. Fotograf\u00eda: Javier Calderon. M\u00fasica original: Gabriel Gonzalez Guirola. Sonido: Vojtech Zavadil.<\/p>\n

During the colonial period, a mysterious woman arrived in Guatemala. No one knows her origin, nor the reasons for her arrival. This young and beautiful woman became a powerful figure and challenged the religious dogmas and views of the time. One day, she was imprisoned by the Holy Inquisition on charges of witchcraft. But was she truly guilty?[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52175″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

Gabriel Gonzalez Guirola<\/b><\/strong><\/h5>\n

Guatemala, 1987. Gabriel arrived in France in 2007. He spent a year at the Beaux-Arts de Toulouse, where he discovered animation. Then, with a desire to explore the notions of space and volume, he trained as an architect-scenographer. It was during this training that he discovered the world of puppets. In 2016, he joined ENSAV Toulouse to study filmmaking. Since 2017, he has worked on numerous projects around puppets and animated forms.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black” border_width=”2″][\/vc_column][\/vc_row][vc_row type=”vc_default” anchor=”zero” el_id=”saudades”][vc_column][vc_custom_heading text=”SAUDADES” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”52179″ img_size=”full”][vc_column_text]<\/p>\n

SAUDADES<\/strong>
\nFrance, Brazil. 2018. 11\u2019. Documentary<\/h6>\n

Direcci\u00f3n: Celina Filgueiras. Guion: Celina Filgueiras. Producci\u00f3n: Ensav.Edici\u00f3n: Celina Filgueiras. Arte: Celina Filgueiras. Fotograf\u00eda: Celina Filgueiras, Arthur Maringoni. Sonido: Arthur Maringoni, Celina Filgueiras, Brian Golveia. Reparto: Celina Filgueiras, Christina Alves Golveia.<\/p>\n

A girl walks in the streets of S\u00e3o Paulo (Brazil) looking for answers about her nanny Christina, with whom she has lost contact for ten years.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52177″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

Celina Filgueiras<\/b><\/strong><\/h5>\n

A Brazilian filmmaker based in S\u00e3o Paulo, she works between Brazil and France on fiction, documentary, music video, and advertising productions. A graduate in Journalism from Mackenzie Presbyterian University in S\u00e3o Paulo, she continued her training as a filmmaker by completing a master’s degree at the ENSAV school in Toulouse. Saudades,<\/i> her master’s thesis film, was selected for the CILECT 2019 Award and participated in the “Le mois du documentaire” and “A propos d’elles” festivals.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator color=”black” border_width=”2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]La F\u00e9mis, also known as the National Film School of Image and Sound, is a world-renowned French public higher education institution. Established in 1986, the school offers comprehensive technical and artistic training to prepare professionals for careers in the audiovisual and film industry. The \u00c9cole Nationale Sup\u00e9rieure de l’Audiovisuel (ENSAV) is a French public institution…<\/p>\n","protected":false},"author":2,"featured_media":52174,"comment_status":"closed","ping_status":"closed","template":"","mec_category":[1910],"mec_tag":[2077],"yoast_head":"\nFRENCH SCHOOLS: LA F\u00c9MIS AND ENSAV | Festival Internacional de Cine de Huesca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/events\/escuelas-francesas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FRENCH SCHOOLS: LA F\u00c9MIS AND ENSAV | Festival Internacional de Cine de Huesca\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]La F\u00e9mis, also known as the National Film School of Image and Sound, is a world-renowned French public higher education institution. 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