{"id":50393,"date":"2023-05-30T11:14:03","date_gmt":"2023-05-30T09:14:03","guid":{"rendered":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/?post_type=mec-events&p=50393"},"modified":"2023-05-30T11:15:52","modified_gmt":"2023-05-30T09:15:52","slug":"cortoliticos-en-femenino","status":"publish","type":"mec-events","link":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/events\/cortoliticos-en-femenino\/","title":{"rendered":"IN FEMALE"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Selection of short films directed by women presented at 51st edition.<\/p>\n

FRAGMENTS<\/strong><\/em>, Marie-Lou B\u00e9land. Canada. 8\u00b4
\nTXOTXONGILOA<\/strong><\/em>, Sonia Est\u00e9vez. Spain. 10\u00b4
\nLA CAJERA<\/strong><\/em>, Amada Santos. Spain. 14\u2019
\nMOTHERTRUCKERS<\/strong><\/em>, Paula Romero. United Kingdom. 15\u2019<\/p>\n

In collaboration with Muestra de Cine Realizado por Mujeres, de Huesca.[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row anchor=”fragments”][vc_column][vc_custom_heading text=”FRAGMENTS” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”50375″ img_size=”full”][vc_column_text]<\/p>\n

FRAGMENTS<\/strong>
\nCanada. 2022. 9\u2019. Documentary<\/h6>\n

Director: Marie-Lou B\u00e9land. Script: Marie-Lou B\u00e9land. Production: Marie-Lou B\u00e9land. Editing: Andr\u00e9a Thibault. Photography: Rapha\u00eblle Loranger. Sound: Sandrine Desrosiers<\/p>\n

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human. The images aim to reappropriate the female body, offering it a place as a body-subject rather than a body-object.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”50377″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

MARIE-LOU B\u00c9LAND<\/strong><\/h5>\n

Committed filmmaker (director and editor) whose purpose is to denounce the prejudices still present in our society. With an initial background in education, her past in the social field influenced her creations. She started in the world of cinema out of passion and self-taught, eventually studying film at the University of Quebec. She is also a photographer for the newspaper La Tribune.<\/i>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][\/vc_column][\/vc_row][vc_row anchor=”puppet”][vc_column][vc_custom_heading text=”TXOTXONGILOA” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”50379″ img_size=”full”][vc_column_text]<\/p>\n

TXOTXONGILOA<\/strong>
\nTHE PUPPET<\/strong><\/em>
\nSpain. 2022. 10\u2019. Animation<\/h6>\n

Director: Sonia Est\u00e9vez. Script: Sonia Est\u00e9vez, Javier Fern\u00e1ndez Landaluce. Production: Tik Tak Film Studio Koop. Elk, Txikia de Iniciativa Social. Editing: Iker Garc\u00eda Santander. Photography: Yohanna Baena. Music: Jimmy Vidaurreta. Sound: Jimmy Vidaurreta. Animation: Sonia Est\u00e9vez<\/p>\n

A female puppet appears locked in a room, prostrate on the floor and motionless. After several experiences, ropes are attached to her body and her movements become increasingly fluid. Each of the strings is associated with a scene related to an aspect of women’s social issues, such as the body, equality, or gender.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”50381″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

SONIA EST\u00c9VEZ<\/strong><\/h5>\n

Director, producer, model maker<\/i>, and stop motion<\/i> animator. She is a founding partner and administrator of Tik Tak Film Studio Koop., an independent production company specializing in stop motion<\/i> animation. She has received training in Stop Motion Animation in Barcelona at the 9zeros Animation School and Cifo de Hospitalet, Executive Production at Media Training consultancy, and has completed the Stop Motion I and II courses at Aardman Academy. She has directed two short films, Txotxongiloa<\/i> and Malkoak<\/i> as well as several advertising commercials using this technique.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][\/vc_column][\/vc_row][vc_row anchor=”cajera”][vc_column][vc_custom_heading text=”LA CAJERA” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”50383″ img_size=”full”][vc_column_text]<\/p>\n

LA CAJERA<\/strong>
\nTHE CASHIER<\/strong><\/em>
\nSpain. 2022. 14,02\u2019. Fiction<\/h6>\n

Director: Amada Santos. Script: Miguel \u00c1ngel Parra. Production: Amada Santos. Executive Producer: Araceli Carrero, Pedro Lend\u00ednez, Amada Santos, Carolina Ca\u00f1ada. Editing: Elena de Urda. Photography: Mark Mata. Music: Sitoh Ortega. Sound: Jes\u00fas “Sully” Caballero. Cast: Olga Naval\u00f3n, Andrea Haro, Chema Trujillo, Pedro Lend\u00ednez, Amada Santos, T\u00f3mas Fern\u00e1ndez.<\/p>\n

Maca works as a cashier in a supermarket. One day, while she is restocking one of the shelves, a young man approaches her from behind and “brushes” her buttocks with his package. The girl contemplates confronting him, but doubts assail her. Was it an assault? Can she report it? Has he done this to other women? Doesn’t something similar happen to hundreds of women around the world every day?[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”50385″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

AMADA SANTOS<\/b><\/h5>\n

Actress, director, and producer. She has directed the short films Jueces Invisibles<\/i>, En el parque<\/i>, and La cajera<\/i>. She has also directed advertising campaigns against gender violence for the Department of Equality in Ja\u00e9n.<\/p>\n

As a director and actress, she has received over 50 awards in numerous festivals in the last three years. She is the co-director of Fila 5 Producciones alongside Pedro Lend\u00ednez and the director of Parip\u00e9 Teatro.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][\/vc_column][\/vc_row][vc_row anchor=”mother”][vc_column][vc_custom_heading text=”MOTHERTRUCKERS” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”50387″ img_size=”full”][vc_column_text]<\/p>\n

MOTHERTRUCKERS<\/strong>
\nUnited Kingdom. 2022. 15\u2019. Documentary<\/h6>\n

Director: Paula Romero. Production: Paula Romero, Jacobo Lag\u00fcela. Editing: Carlos F. Blanco. Photography: Jacobo Grc. Sound: Gerardo Pastor. Animation: \u00c1lvaro L. Barreiro, Chencho Jim\u00e9nez. Music: Benson Se\u00f1ora Instrumental. Cast: Lisa Melbourne<\/p>\n

Mothertruckers<\/i> is an insight into the untold story of female truck drivers. Taking place after Brexit and during the UK transport and fuel crisis, it addresses the conflict of being a female lorry driver in a male-dominated profession and explores the romantic idea of finding freedom on the road compared with the hard work and unconventional lifestyle of being a lorry driver.[\/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”50389″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

PAULA ROMERO<\/b><\/h5>\n

Andalusian journalist and filmmaker based halfway between Bristol (England) and Seville (Spain). She has more than five years of experience in the creation of visual content and documentaries for personal projects and clients in the UK, Spain and Latin America. She is the director of the El \u00c1ngel de Itinsana<\/i> (Colombia, 2012), Nunca Fuimos Superwoman<\/i> (Espa\u00f1a, 2016), Confinement Stories<\/i> (UK, 2020) and Mothertruckers<\/i> (UK, 2022).[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]Selection of short films directed by women presented at 51st edition. FRAGMENTS, Marie-Lou B\u00e9land. Canada. 8\u00b4 TXOTXONGILOA, Sonia Est\u00e9vez. Spain. 10\u00b4 LA CAJERA, Amada Santos. Spain. 14\u2019 MOTHERTRUCKERS, Paula Romero. United Kingdom. 15\u2019 In collaboration with Muestra de Cine Realizado por Mujeres, de Huesca.[\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row anchor=”fragments”][vc_column][vc_custom_heading text=”FRAGMENTS” font_container=”tag:h3|font_size:24px|text_align:left|color:%23000000|line_height:28px” google_fonts=”font_family:News%20Cycle%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_single_image image=”50375″ img_size=”full”][vc_column_text] FRAGMENTS Canada. 2022. 9\u2019. Documentary…<\/p>\n","protected":false},"author":2,"featured_media":50380,"comment_status":"closed","ping_status":"closed","template":"","mec_category":[1910],"mec_tag":[],"yoast_head":"\nIN FEMALE | Festival Internacional de Cine de Huesca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/events\/cortoliticos-en-femenino\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IN FEMALE | Festival Internacional de Cine de Huesca\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Selection of short films directed by women presented at 51st edition. FRAGMENTS, Marie-Lou B\u00e9land. Canada. 8\u00b4 TXOTXONGILOA, Sonia Est\u00e9vez. Spain. 10\u00b4 LA CAJERA, Amada Santos. 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