{"id":52927,"date":"2024-06-03T10:33:49","date_gmt":"2024-06-03T08:33:49","guid":{"rendered":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/staff\/victor-erice\/"},"modified":"2024-06-03T10:36:47","modified_gmt":"2024-06-03T08:36:47","slug":"victor-erice","status":"publish","type":"dt_team","link":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/staff\/victor-erice\/","title":{"rendered":"V\u00cdCTOR ERICE"},"content":{"rendered":"

[vc_row type=”vc_default” full_width=”stretch_row” bg_type=”bg_color” seperator_enable=”seperator_enable_value” seperator_type=”tilt_left_seperator” seperator_position=”bottom_seperator” seperator_svg_height=”80″ seperator_shape_background=”#ffffff” bg_color_value=”#000000″ css=”.vc_custom_1590659129232{margin-top: -50px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1488278993139{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_custom_heading text=”LUIS BU\u00d1UEL AWARD” font_container=”tag:h4|text_align:left|color:%23ffffff|line_height:150%25″ use_theme_fonts=”yes” css=”” link=”url:https%3A%2F%2Fgallant-agnesi.188-165-133-218.plesk.page%2Fhistoria%2Fpremio-luis-bunuel%2F|title:PREMIO%20LUIS%20BU%C3%91UEL”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text css=””]<\/p>\n

HOME<\/a> \/ TRIBUTES<\/a> \/ LUIS BU\u00d1UEL AWARD<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=”35″ margin_bottom=”35″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-2″ css=”.vc_custom_1527261998743{padding-top: 35px !important;}”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52492″ img_size=”full” alignment=”center” css=””][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text css=””]Filmmaker V\u00edctor Erice will receive the Luis Bu\u00f1uel Award at the 52nd Huesca International Film Festival. Born in Valle de Carranza (Vizcaya, 1940), V\u00edctor Erice began his studies at the Official Film School in Madrid in his early twenties, graduating with a degree in Directing in 1963. In his early years, he combined film criticism with various jobs such as production secretary for Basilio Mart\u00edn Pati\u00f1o, screenwriter for Miguel Picazo and Antonio Eceiza, and actor in Manuel Revuelta’s Anto\u00f1ito Vuelve a Casa<\/em>. His graduation project (Los D\u00edas Perdidos<\/em>) was selected to represent his school at the San Sebastian Film Festival, a festival where he would later win the Silver Shell with the collective medium-length film Los Desaf\u00edos<\/em>, along with Claudio Guer\u00edn and Jos\u00e9 Luis Egea in the direction and Rafael Azcona collaborating on the script.<\/p>\n

His first solo feature film was The Spirit of the Beehive<\/em> (1973), a title that became a cult film and a key work within the so-called “New Spanish Wave”, along with other works by authors such as Carlos Saura, Mario Camus and Jaime De Armi\u00f1\u00e1n. Produced by El\u00edas Querejeta, the film starring Fernando Fern\u00e1n G\u00f3mez won the Golden Shell and marked the acting debut of actress Ana Torrent at the age of just seven.<\/p>\n

A decade would pass before he could present his next work on the big screen, a period he dedicated to the world of advertising and television programs. It was in 1983 that The South<\/em> was released, based on the novel of the same name by Adelaida Garc\u00eda Morales and featuring Ic\u00edar Bolla\u00edn among its actresses. Despite being planned as a two-part work, only the first part was finally shot and was selected by the Cannes Film Festival to compete for the Palme d’Or, receiving critical and public acclaim.<\/p>\n

Almost another decade was needed to enjoy his third feature film Dream of Light<\/em> (1992), a work with documentary overtones about the realist painter Antonio L\u00f3pez. Again premiered at “La Croisette”, it won the Special Jury Prize and the International Critics Prize (FIPRESCI); a new masterpiece that has been designated on various occasions as one of the essential titles in the history of cinema.<\/p>\n

In the second half of the 1990s he founded his own production company Nautilus Films and participated in a collective feature film (Celebrate Cinema 101) with other filmmakers such as Marco Bellocchio, Jonas Mekas and Aleksandr Sok\u00farov. This marked the beginning of a period in which the short film took a leading role in his filmography. The result of this period is Alumbramiento (<\/em>2002), again a segment of the Ten minutes older: The trumpet<\/em> project involving great names such as Jim Jarmusch, Aki Kaurismaki, Jean-Luc Godard, Bernardo Bertolucci and Wim Wenders; later came La morte Rouge<\/em> (as part of the Erice-Kiarostami: Correspondences <\/em>exhibition with Abbas Kiarostami himself), Ana, Tres Minutos, Cristales Rotos <\/em>and Plegaria.<\/em><\/p>\n

Only in 2023, 30 years after his last feature film, would he return to this format with Close your Eyes<\/em>; a production that after premiering once again at the Cannes Film Festival, would begin a triumphant trajectory that would take him to the main festivals in the world such as Toronto, San Sebastian, Mar del Plata, Thessaloniki, Turin and Miami; in addition to giving one of its performers (Jose Coronado) the Goya Award and the Platino Award for best supporting actor.<\/p>\n

To his credit are other recognitions such as the National Film Award in 1993; the Gold Medal for Merit in the Fine Arts in 1995; the Honorary Leopard dedicated to his entire career at the Locarno Film Festival in 2014 and Donostia Award at the San Sebastian Film Festival in 2023.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”vc_default” full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1558342983627{margin-bottom: 0px !important;padding-top: 50px !important;padding-bottom: 50px !important;background-color: rgba(81,83,74,0.05) !important;*background-color: rgb(81,83,74) !important;}” bg_color_value=”rgba(81,83,74,0.05)”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-2″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”44808″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_custom_heading text=”LUIS BU\u00d1UEL AWARD” font_container=”tag:h4|text_align:left|color:%23000000|line_height:150%25″ use_theme_fonts=”yes” css=”” link=”url:https%3A%2F%2Fgallant-agnesi.188-165-133-218.plesk.page%2Fhistoria%2Fpremio-luis-bunuel%2F|title:PREMIO%20LUIS%20BU%C3%91UEL”][vc_column_text css=””]The Luis Bu\u00f1uel Award honours a career and a professional life in the world of cinema. It was established in 1998 gathering the feelings of the Management Committee, after the festival held several ceremonies in Bu\u00f1uel\u2019s honour and following the approval of his sons Juan Luis and Rafael.<\/p>\n

The initial trophy was created by the renowned artist from Huesca Eduardo Cajal, produced in bronze and detachable. It represented the threshold of a door and, according to the author, was inspired by the feature film The Exterminating Angel.<\/i><\/p>\n

Nine years afterwards, the image of the trophy was changed, concretely in the 34th<\/sup> edition, by the artist from Zaragoza Fernando Sinaga. It was a spread out fan that, according to the author, represented at the same time \u2018seduction\u2019 and the idea of \u2018the secret and the occult\u2019.<\/p>\n

In the 42nd edition, a new trophy was requested to Huesca born artist Antonio Santos by the new direction. The new award, christened as The Chorus Girl<\/i>, broke with the traditional trophy concept. The work, designed by Huesca born artist Antonio Santos, consisted of different parts that make up the figure of a chorus girl.<\/p>\n

Since 2020, the designer of the trophy is Isidro Ferrer, Design National Award winner, a Madrid-born artist based in Huesca. The trophy portraits an ant, that is what the authors says: \u201cLuis Bu\u00f1uel\u2019s entomological fondness and training is known, also his inclination to introduce several arthropods in his films\u201d. The list that feeds his particular zoo is extensive: spiders, scorpions, crabs, butterflies, bees, flies, mosquitoes, grasshoppers, cockroaches, neuropterans, beetles. This varied fauna that sprinkles his extensive filmography holds symbolic significance. One of the most iconic scenes that best define this Bu\u00f1uelian drive for insects might be that of the ants of his first movie An Andalusian Dog<\/em>, from which the inspiration for this trophy-homage springs.<\/p>\n

Among the most outstanding personalities who have received this award, there can be found Jos\u00e9 Luis Borau (1998), Michel Piccoli (1999), Silvia Pinal (2000), Patrice Leconte (2001), Aki Kaurismaki (2002), Jerzy Kawalerowicz (2003), Jean Troell (2004), Andr\u00e9 Techin\u00e9 (2005), Pedro Armend\u00e1riz Jr. (2006), Vittorio y Paolo Taviani (2007), Bertrand Tavernier (2008), Theo Angelopoulos (2009), \u00c1ngela Molina (2010), El\u00edas Querejeta (2011), Stephen Fears (2012), Adolpho Arrietta (2013), Carlos Saura (2014), Laurent Cantet (2015), Jean Claude Carri\u00e8re (2016), Costa Gavras and Alex de la Iglesia (2017), Jos\u00e9 Sacrist\u00e1n (2018), Marisa Paredes (2019), Isabel Coixet (2020), Gonzalo Su\u00e1rez (2021), Terry Gilliam (2022) and Aitana S\u00e1nchez-Gij\u00f3n (2023).<\/p>\n

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[vc_row type=”vc_default” full_width=”stretch_row” bg_type=”bg_color” seperator_enable=”seperator_enable_value” seperator_type=”tilt_left_seperator” seperator_position=”bottom_seperator” seperator_svg_height=”80″ seperator_shape_background=”#ffffff” bg_color_value=”#000000″ css=”.vc_custom_1590659129232{margin-top: -50px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1488278993139{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_custom_heading text=”LUIS BU\u00d1UEL AWARD” font_container=”tag:h4|text_align:left|color:%23ffffff|line_height:150%25″ use_theme_fonts=”yes” css=”” link=”url:https%3A%2F%2Fgallant-agnesi.188-165-133-218.plesk.page%2Fhistoria%2Fpremio-luis-bunuel%2F|title:PREMIO%20LUIS%20BU%C3%91UEL”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text css=””] HOME \/ TRIBUTES \/ LUIS BU\u00d1UEL AWARD [\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=”35″ margin_bottom=”35″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-2″ css=”.vc_custom_1527261998743{padding-top: 35px !important;}”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52492″ img_size=”full” alignment=”center” css=””][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text css=””]Filmmaker…<\/p>\n","protected":false},"featured_media":52495,"comment_status":"closed","ping_status":"closed","template":"","dt_team_category":[1698],"yoast_head":"\nV\u00cdCTOR ERICE | Festival Internacional de Cine de Huesca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/staff\/victor-erice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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