{"id":52245,"date":"2024-05-20T09:55:19","date_gmt":"2024-05-20T07:55:19","guid":{"rendered":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/staff\/victoria-abril\/"},"modified":"2024-06-03T10:37:25","modified_gmt":"2024-06-03T08:37:25","slug":"victoria-abril","status":"publish","type":"dt_team","link":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/staff\/victoria-abril\/","title":{"rendered":"VICTORIA ABRIL"},"content":{"rendered":"

[vc_row type=”vc_default” full_width=”stretch_row” bg_type=”bg_color” seperator_enable=”seperator_enable_value” seperator_type=”tilt_left_seperator” seperator_position=”bottom_seperator” seperator_svg_height=”80″ seperator_shape_background=”#ffffff” bg_color_value=”#000000″ css=”.vc_custom_1590659129232{margin-top: -50px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1488278993139{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_custom_heading text=”LUIS BU\u00d1UEL AWARD” font_container=”tag:h4|text_align:left|color:%23ffffff|line_height:150%25″ use_theme_fonts=”yes” link=”url:https%3A%2F%2Fgallant-agnesi.188-165-133-218.plesk.page%2Fen%2Fhistory%2Fluis-bunuel-award%2F|title:PREMIO%20LUIS%20BU%C3%91UEL”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text]<\/p>\n

HOME<\/a> \/ TRIBUTES<\/a> \/ LUIS BU\u00d1UEL AWARD<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=”35″ margin_bottom=”35″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-2″ css=”.vc_custom_1527261998743{padding-top: 35px !important;}”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52241″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Actress Victoria Abril will receive the Luis Bu\u00f1uel Award at the 52nd Huesca International Film Festival. She was born in Madrid (1959) and she showed her passion for the arts from a young age and at just 14, she made her acting debut in Francisco Lara Polop’s Obsesi\u00f3n.<\/em> She later appeared in titles such as Richard Lester’s Robin and Marian,<\/em> starring Sean Connery and Audrey Hepburn. In the second half of the 1970s, her popularity skyrocketed as part of the historic Spanish quiz show \u201cUn, dos, tres… responda otra vez\u201d by Narciso Ib\u00e1\u00f1ez Serrador for Televisi\u00f3n Espa\u00f1ola. During this period, she worked under the direction of Vicente Aranda in Change of Sex<\/em>, leading to a fruitful collaboration that produced some of her most notable titles such as Tiempo de silencio<\/em>, Si te Dicen que Ca\u00ed, El Lute: Run for Your Life,<\/em> and Lovers. In fact, for the last two films, she received the Silver Shell in San Sebasti\u00e1n and the Golden Bear in Berlin respectively.<\/p>\n

In the 1980s, her name became a reference both in Spain, Italy, and France, where she developed a prolific career that earned her two C\u00e9sar Award nominations. From this period, works such as Mater Amantissima, La Colmena, Bicycles are for the Summer, El Lute: Run for Your Life, and La Noche m\u00e1s Hermosa<\/em> became part of the history of European cinema. She also appeared in television series such as Los Pazos de Ulloa.<\/em><\/p>\n

During the last decade of the 20th century, she continued adding successes to her career with great directors like Pedro Almod\u00f3var with High Heels<\/em> or her iconic performance in Kika, Intruders<\/em> by the aforementioned Aranda, and alongside Manuel G\u00f3mez Pereira in Between Your Legs.<\/em> Her collaboration with Agust\u00edn D\u00edaz Yanes resulted in Nobody Will Speak of Us When We’re Dead<\/em>, a film that won her the Goya for Best Actress, one of the eight awards this production received, making it one of the most awarded in the history of these prizes.<\/p>\n

The new millennium remained fruitful with projects such as Don\u2019t Tempt Me<\/em> by Agust\u00edn D\u00edaz Yanes and her last project with Vicente Aranda, Tirant lo Blanc.<\/em> For the first time, she worked with the director from Huesca, Carlos Saura, in The 7th<\/sup> Day<\/em>, earning her another Goya nomination. Additionally, she demonstrated her versatile talent by surprising the music industry with an album of bossa nova classics, \u201cPutcheros do Brasil\u201d, followed by her second album, \u201cOlala!.\u201d “Six years of touring, 600 concerts worldwide, except in Spain, made me the happiest forty-something in the northern hemisphere!” claimed the artist herself.<\/p>\n

Film, television, and theater both in Spain and France have been her main focuses in recent years, continuing to enrich a career decorated with honors such as the title of “Knight” of the French Legion of Honor, the Gold Medal for Fine Arts, and the Honorary Award from the European Film Awards.<\/p>\n

The year 2024 marks the professional golden anniversary for Victoria Abril, a milestone she will celebrate by returning to the stage, headlining the play \u201cMedusa\u201d under the direction of Jos\u00e9 Mar\u00eda del Castillo. After 45 years away from the Spanish stage, this summer she will star in this spectacular ephemeral superproduction (10 days) at the Roman Theater of M\u00e9rida, alongside other notable talents like Adri\u00e1n Lastra (Perseus), Mariola Fuentes (Athena), and the debut of singer Ruth Lorenzo as an actress. This unique opportunity will see Abril, from a place of acceptance, pouring all her magnetism and passion into leaving no one indifferent, “because I am like Medusa, up to the very last scale of Equitea, fed up with the distortion and manipulation of facts,” as she herself declared.<\/p>\n

This reinterpretation of the classic myth about the feared ancient monster with snake hair and a petrifying gaze will be shown from July 31 to August 11 at the famous M\u00e9rida Festival, and will then move to the Sagunto Festival (August 17 and 18) and the Niebla Festival in Huelva (August 24). A multidisciplinary production with 30 people on stage. It begins with Ruth Lorenzo accompanied by the Extremadura Chamber Choir, directed by Amaya A\u00f1ua, and supported by 10 dancers (choreography by Alex Ma\u00f1\u00e9), elevating the tragedy of Medusa to an epic level as the myth and the M\u00e9rida Theater demand. The character of Medusa will break the fourth wall to speak directly to the audience; humor, tragedy, irony, music, and visual art will delve into social-induced thinking, appearances, fear of the different, and the value of integrity in a society that has not changed much despite the passage of centuries.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”vc_default” full_width=”stretch_row” bg_type=”bg_color” css=”.vc_custom_1558342983627{margin-bottom: 0px !important;padding-top: 50px !important;padding-bottom: 50px !important;background-color: rgba(81,83,74,0.05) !important;*background-color: rgb(81,83,74) !important;}” bg_color_value=”rgba(81,83,74,0.05)”][vc_column width=”5\/6″ offset=”vc_col-lg-offset-2″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”44808″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_custom_heading text=”LUIS BU\u00d1UEL AWARD” font_container=”tag:h4|text_align:left|color:%23000000|line_height:150%25″ use_theme_fonts=”yes” css=”” link=”url:https%3A%2F%2Fgallant-agnesi.188-165-133-218.plesk.page%2Fhistoria%2Fpremio-luis-bunuel%2F|title:PREMIO%20LUIS%20BU%C3%91UEL”][vc_column_text]The Luis Bu\u00f1uel Award honours a career and a professional life in the world of cinema. It was established in 1998 gathering the feelings of the Management Committee, after the festival held several ceremonies in Bu\u00f1uel\u2019s honour and following the approval of his sons Juan Luis and Rafael.<\/p>\n

The initial trophy was created by the renowned artist from Huesca Eduardo Cajal, produced in bronze and detachable. It represented the threshold of a door and, according to the author, was inspired by the feature film The Exterminating Angel.<\/i><\/p>\n

Nine years afterwards, the image of the trophy was changed, concretely in the 34th<\/sup> edition, by the artist from Zaragoza Fernando Sinaga. It was a spread out fan that, according to the author, represented at the same time \u2018seduction\u2019 and the idea of \u2018the secret and the occult\u2019.<\/p>\n

In the 42nd edition, a new trophy was requested to Huesca born artist Antonio Santos by the new direction. The new award, christened as The Chorus Girl<\/i>, broke with the traditional trophy concept. The work, designed by Huesca born artist Antonio Santos, consisted of different parts that make up the figure of a chorus girl.<\/p>\n

Since 2020, the designer of the trophy is Isidro Ferrer, Design National Award winner, a Madrid-born artist based in Huesca. The trophy portraits an ant, that is what the authors says: \u201cLuis Bu\u00f1uel\u2019s entomological fondness and training is known, also his inclination to introduce several arthropods in his films\u201d. The list that feeds his particular zoo is extensive: spiders, scorpions, crabs, butterflies, bees, flies, mosquitoes, grasshoppers, cockroaches, neuropterans, beetles. This varied fauna that sprinkles his extensive filmography holds symbolic significance. One of the most iconic scenes that best define this Bu\u00f1uelian drive for insects might be that of the ants of his first movie An Andalusian Dog<\/em>, from which the inspiration for this trophy-homage springs.<\/p>\n

Among the most outstanding personalities who have received this award, there can be found Jos\u00e9 Luis Borau (1998), Michel Piccoli (1999), Silvia Pinal (2000), Patrice Leconte (2001), Aki Kaurismaki (2002), Jerzy Kawalerowicz (2003), Jean Troell (2004), Andr\u00e9 Techin\u00e9 (2005), Pedro Armend\u00e1riz Jr. (2006), Vittorio y Paolo Taviani (2007), Bertrand Tavernier (2008), Theo Angelopoulos (2009), \u00c1ngela Molina (2010), El\u00edas Querejeta (2011), Stephen Fears (2012), Adolpho Arrietta (2013), Carlos Saura (2014), Laurent Cantet (2015), Jean Claude Carri\u00e8re (2016), Costa Gavras and Alex de la Iglesia (2017), Jos\u00e9 Sacrist\u00e1n (2018), Marisa Paredes (2019), Isabel Coixet (2020), Gonzalo Su\u00e1rez (2021), Terry Gilliam (2022) and Aitana S\u00e1nchez-Gij\u00f3n (2023).<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row type=”vc_default” full_width=”stretch_row” bg_type=”bg_color” seperator_enable=”seperator_enable_value” seperator_type=”tilt_left_seperator” seperator_position=”bottom_seperator” seperator_svg_height=”80″ seperator_shape_background=”#ffffff” bg_color_value=”#000000″ css=”.vc_custom_1590659129232{margin-top: -50px !important;}”][vc_column width=”3\/4″ css=”.vc_custom_1488278993139{padding-top: 50px !important;padding-bottom: 50px !important;}”][vc_custom_heading text=”LUIS BU\u00d1UEL AWARD” font_container=”tag:h4|text_align:left|color:%23ffffff|line_height:150%25″ use_theme_fonts=”yes” link=”url:https%3A%2F%2Fgallant-agnesi.188-165-133-218.plesk.page%2Fen%2Fhistory%2Fluis-bunuel-award%2F|title:PREMIO%20LUIS%20BU%C3%91UEL”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:left|color:%23ffffff” use_theme_fonts=”yes”][\/vc_column][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_column_text] HOME \/ TRIBUTES \/ LUIS BU\u00d1UEL AWARD [\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=”35″ margin_bottom=”35″][vc_column width=”5\/6″ offset=”vc_col-lg-offset-2″ css=”.vc_custom_1527261998743{padding-top: 35px !important;}”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”52241″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Actress Victoria Abril will receive…<\/p>\n","protected":false},"featured_media":52240,"comment_status":"closed","ping_status":"closed","template":"","dt_team_category":[1698],"yoast_head":"\nVICTORIA ABRIL | Festival Internacional de Cine de Huesca<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/staff\/victoria-abril\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" 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