{"version":"1.0","provider_name":"Festival Internacional de Cine de Huesca","provider_url":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/","author_name":"#FestivalHuesca","author_url":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/author\/subeaminube\/","title":"SESI\u00d3N 8 | Festival Internacional de Cine de Huesca","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"lbA5mX4uDL\"><a href=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/events\/sesion-8-2022\/\">SESI\u00d3N 8<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/en\/events\/sesion-8-2022\/embed\/#?secret=lbA5mX4uDL\" width=\"600\" height=\"338\" title=\"&#8220;SESI\u00d3N 8&#8221; &#8212; Festival Internacional de Cine de Huesca\" data-secret=\"lbA5mX4uDL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/gallant-agnesi.188-165-133-218.plesk.page\/wp-content\/uploads\/2022\/05\/banner-2000x600-2_1280px.jpg","thumbnail_width":1280,"thumbnail_height":384,"description":"\u201cA MITAD CAMINO\u201d, Honorato Ruiz. Espa\u00f1a. IBE. 8\u00b4. OL \u201cSAFE\u201d, Ian Braling. Estados Unidos. INT. 16\u00b4. OL \u201cDO NOT FEED THE PIGEONS\u201d, Antonin Niclass. Inglaterra. Animaci\u00f3n. INT. 9\u00b4. OL \u201cTRES DESEOS. UNA VERDAD\u201d, Cecilia Petrujno. Argentina. OP. IBE. 16\u00b4. OL \u201c\u041f\u0430\u043f\u0438\u043d\u0456 \u043a\u0440\u043e\u0441\u0456\u0432\u043a\u0438\u201d (DAD\u00b4S SNEAKERS), Olha Zhurba. Ucrania. OP. INT. 19\u00b4. OL \u201cLECCIONES SOBRE EL USO&hellip;"}